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Saturday, 1 June 2013

Olympus streamlines its pretty PEN E-P5



Normally a two-year product cycle isn't that much for a camera targeted at advanced photographers. But in a field where technology mutates as quickly as it does for advanced interchangeable-lens cameras, that's a long time. So at 1.5 years since the E-P3, it feels like it's taken just a little too long for the PEN E-P5's debut, especially given the relatively catch-up feature set of the new model.
Not that there's anything wrong with the updates in the E-P5; there's plenty here that probably makes it a better camera. The most noticeable is the new design, still retro but based off the PEN F film camera this time. It's quite attractive, especially in the black and silver, though it comes in the same off-white and camel and all-black of the previous model.
Olympus' also takes an interesting approach to wireless connectivity, incorporating QR codes for quick Wi-Fi setup rather than NFC. When you bring up the connection on the camera it presents a QR code that you capture with the OI.Share app on your phone, and the app automatically configures the connection. It's a clever, inexpensive solution to the setup problem, as long as you only want to connect your camera to the phone.Much of the control layout has been changed and seems both more traditional, with front and a back dials, as well as more streamlined with increased customizability. I like most of the changes; the one notable exception is probably the shallow fixed grip. On the E-P3 you had the ability to easily replace the shallow grip with a more pronounced one.

Olympus' new EVF.
Other important enhancements include the same AF system as the OM-D E-M5, with some more performance optimization with Four Thirds lenses (the E-P3's overall performance is pretty good, though); the same image-stabilization system and sensor as the E-M5, though hopefully with tweaked image processing; a tiltable touch screen; broader scene analysis in auto mode; and 1080/30p video. The camera also gains focus peaking and a smaller spot AF and the Photo Story feature introduced in the XZ-10 (it lets you select different aspect ratios of photos to shoot, which the camera automatically loads into a multiphoto template). Plus it offers time-lapse and intervalometer options.
Olympus also rolled out black versions of its high-quality f1.8 primes (17mm, 45mm and 75mm) and a new electronic viewfinder (EVF), which is included in a kit with the 17mm lens; it's bigger, higher-resolution, and adds an eye sensor.
Here are some of the E-P5's current competitors:
Fujifilm X-E1Olympus PEN E-P3Olympus PEN E-P5Olympus OM-D E-M5Samsung NX20Sony Alpha NEX-6
Sensor (effective resolution)16.3MP X-Trans CMOS
n/a
12.3MP Live MOS
12 bits
16.1MP Live MOS
12 bits
16.1MP Live MOS
12 bits
20.3MP CMOS
n/a
16.1MP Exmor HD CMOS
n/a
23.6mm x 15.6mm17.3mm x 13mm17.3mm x 13mm17.3mm x 13mm23.5mm x 15.7mm23.5 x 15.6mm
Focal-length multiplier1.5x2.0x2.0x2.0x1.5x1.5x
Sensitivity rangeISO 100 (expanded)/ 200 - ISO 6400/25600 (expanded)ISO 200 - ISO 12,800ISO 100 (exp)/200 - ISO 25600ISO 200 - ISO 25600ISO 100 - ISO 12800ISO 100 - ISO 25600
Continuous shooting6fps
n/a
3.0 fps
unlimited (LN) JPEG/17 raw
4.5-5fps (lens dependent, IS off)
70 JPEG/20 raw
(9fps with fixed AE/AF, no IS)
9fps
17 JPEG/11 raw
8fps
11 JPEG/8 raw
3fps
11 raw/15 JPEG
(10fps with fixed exposure)
ViewfinderEVF
0.5-inch
2.36 million dots
100% coverage
n/a
Optional plug-in articulating EVF
1,440,000 dots
0.58x
Optional EVF
n/a-inch
2.36 million dots
100% coverage
1.48x/0.74x
EVF
n/a-inch
1.44 million dots
100% coverage
1.15x/0.58x
OLED EVF
n/a-inch
480,000 dots
100% coverage
1.04x/0.69x
OLED EVF
0.5-inch
2.4 million dots
100% coverage
1.09x/0.73x
Hot shoeYesYesYesYesYesYes
Autofocus49-area
Contrast AF
35-area contrast AF35-area contrast AF35-area contrast AF15-point contrast AF99-point phase detection, 25-area contrast AF
AF sensitivity rangen/an/an/an/an/a0 - 20 EV
Shutter speed30-1/4,000 sec.; bulb to 60 min; 1/180 x-sync60-1/4000 sec; bulb to 30 minutes60 - 1/8000 sec; bulb to 30 minutes; 1/250 sec x-sync
(FP to 1/4000 sec)
60-1/4,000 sec.; bulb to 8 minutes; 1/250 sec x-sync (flash-dependent)30-1/8000 sec.; bulb to 4 minutes; 1/180 x-sync30-1/4,000 sec.; bulb; 1/160 sec x-sync
Metering256 zones324 area324 area324 area221 segment1,200 zones
Metering rangen/a0 - 20 EV0 - 20 EV0 - 20 EV0 - 18 EV0 - 20 EV
FlashYesYesYesIncluded add-onYesYes
Wireless flashNoYesYesYesNoNo
Image stabilizationOpticalSensor shiftSensor shiftSensor shiftOpticalOptical
Video1080/24p H.2641080/60i AVCHD @ 20, 17Mbps; 720/60p @ 13Mbps1080/30p @ 20Mbps H.264 QuickTime MOV1080/60i QuickTime MOV @ 20, 17Mbps1080/30p; 1080 x 810/24p; 720/30p H.264 MPEG-4AVCHD 1080/60p @ 28, 24Mbps, 1080/ 24p @ 24, 17Mbps, 1080/60i @ 17Mbps; H.264 MPEG-4 1440 x 1080/30p @ 12Mbps
AudioStereo; mic inputStereo; mic inputStereo; mic inputStereo; mic inputStereoStereo; mic input
LCD size2.8-inch fixed
460,000 dots
3-inch fixed OLED
614,000 dots
3-inch tilting touch-screen LCD
1.04 million dots
3-inch tilting touch-screen OLED
614,000 dots
3-inch articulated AMOLED
921,000 dots
3-inch tilting touch screen
921,600 dots
Wireless connectionNoneOptional via BluetoothWi-FiNoneWi-FiWi-Fi
Battery life (CIPA rating)350 shots330 shots330 shotsn/a330 shots270 shots
(with viewfinder)
Dimensions (inches, WHD)5.1 x 2.9 x 1.54.8 x 2.7 x 1.44.8 x 2.7 x 1.54.8 x 3.5 x 1.74.6 x 2.5 x 1.44.8 x 2.8 x 1.1
Body operating weight (ounces)12.4 (est.)13.014.8 (est)15.114 (est)12.3
Mfr. price$999.95 (body only)n/a$999.99 (body only)$949.99 (body only)n/a$749.99 (body only)
$1,399.95 (with 18-55mm lens)$899.99 (with 14-42mm lens)n/a$1,199.99 (with 12-50mm lens)$1,099.99 (with 18-55mm i-Function lens)$899.99 (with 15-60mm PZ lens)
n/a$899.99 (with 17mm lens)$1449.99 (with 17mm lens and VF-4 EVF)$1,099.99 (with 14-42mm lens)n/an/a
Ship dateNovember 2012August 2011May 2013April 2012May 2012October 2012
While the Sony Alpha NEX-6 isn't as eye-catching, it's cheaper and a pretty strong competitor, with a bigger sensor. Furthermore, if you're going to add the optional EVF, you might as well get the E-M5, which has the extra weather sealing and has better continuous-shooting for roughly the same body-only price.
The E-P5 looks nice and will probably be a fine camera, but unless you're buying primarily on looks it doesn't have any competitive edge that I can think of. Then again, a good-looking camera, especially one bundled with one of Olympus' better lenses, might pull it off.

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